Dead Ready Productions

+44 (0)208 339 6139
hello@deadready.co.uk

How To Conduct Vox Pop Interviews At Events

We’re producing more and more event videos these days and we’re often asked for tips on how to obtain the best sound bites from the vox pop interviews that tend to form the backbone of these sorts of edits.

So I thought I’d write some down. What follows below isn’t an exhaustive list of dos and don’ts but I‘ve found them helpful over the years.

The process usually falls into three phases and I’ll take them in turn.

The first happens before the event – Writing the Questionnaire.

A questionnaire is like a script – you can make a bad film out of a good one but you certainly can’t make a good film out of a bad one.

  • Make sure you stick to up to 5 questions, no one wants to miss too much fun so you must be brief.
  • The questions must be open-ended – that is to say – no yes-or-no answers. It’ll get you far better soundbites
  • It’s important to know what the objective of the video is, are you encouraging people to come next time? Then ask them about the value of the event to them. If it’s just a reference video, ask them to describe their experience so far etc
  • Ensure that the client knows what you’re asking. It’s important that your client has input in this process but don’t let them add too many questions

Next is Recruitment.

When at an event, you’d hope that people are happily enjoying the occasion. This can be both a blessing and a curse. Happy people offer much better soundbites than grumpy people but by the same token, they may not fancy being dragged away from the merriment so:

  • Choose your targets. People who are on their own are easier to recruit so single out friendly looking loners – sounds like an unlikely combo but you’ll be surprised.
  • Make sure you’ve had a good chat with your client to find out who they want to interview – they may not have a wish list but when you ask the question you’ll find that they can usually point out some people – it helps to narrow down the throng for you.
  • Approach with confidence. Inevitably you’ll need to interrupt some people but just be polite and open with a line like ‘excuse me, sorry to interrupt, can I ask you to give us a short interview for the event video?’ don’t over talk – if they don’t want to do it, don’t insist or get whiny.
  • What is critical is your tone, you must remain friendly and non-confrontational but assertive and confident. A perfect mixture of those qualities will recruit most people.

Finally is Interview Technique

Once you’ve positioned your interviewee the way you need them, the chances are your cameraman will need a second to set up; so chat with your respondent about what they should expect and what you’re after.

  • Contracting is a psychological tool from Transactional Analysis*. If your respondent knows what to expect, they won’t be surprised when it happens, so tell them what you’re after and if they agree to take part, no one has any nasty surprises or any reason to get narky.
  • Tell them that you may want to repeat sections and may ask for shorter and longer responses
  • Tell them that you’re after full-sentence answers for fuller soundbites.
  • Once you get rolling, don’t talk! If you feel you haven’t got much from an answer say: ‘tell me more about that,’ it puts people at ease and gets you much meatier content.
  • Don’t overspeak or murmur your agreement; you’ll ruin perfectly good quotes.

The key is making your respondent feel at ease. Contracting at the beginning makes sure that the respondent understands the rules of what you’re doing and if you’ve let them know what to expect when you were setting up the camera, they won’t be upset if you ask them to repeat sections, embellish an answer or do a little dance (that’s usually a tricky one).

When done, thank your respondent and let them leave, sometimes, they’ll want to have a quick chat but allow that to be their decision. Then you’re done. But don’t get lazy, there’re plenty more people out there and you probably haven’t got that long to grab their soundbites – no one wants to watch a video with only 2 people in it!

*for those who want a more detailed explanation of the contracting concept, great resources can be found at www.trianglepartnership.com/blog

Vox Pop Interviews

New Website Online!

Good news, the new Dead Ready Productions website is now online! It’s taken us a little while to get here and there’s been a lot of work behind the scenes, but we now have a site that says significantly more about who we are and the work that we do. And – in what we feel is a bold move forward for a video production company – we’ve now added video to our site!

Our new showreel on the home page gives a flavour of recent productions we’ve been working on, from corporate communications to gospel music shows. We’ve also added a case studies section with several examples of our work, covering a number of different filming and editing styles. And we’ve included a number of video testimonials with happy clients, talking about their experience with Dead Ready Productions and why it’s a great idea to get in touch with us.

On the Clients page you can take a look at who else we’ve been working with, whilst our Blog will keep you updated with our latest musings, which could be related to the industry, our current work or anything else in life we consider worthy of a few words. Don’t forget to follow us on Twitter – a new avenue for us but we promise to add regular updates that will drastically change your life for the better.

So please, take a look around and let us know what you think! Any feedback shall be gratefully received.

Dead Ready Website May 2011

Tapes vs Tapeless

When Dead Ready Productions got off the ground a year and a half ago, we needed to invest in shed-loads of new kit  – not least of which was our new cameras. This presented a wee dilemma for us as we recognized that the world was moving past the use of tapes but all of our experience had been based on Sony V1/Z1’s with only occasional use of anything that recorded to a card.

We felt we hadn’t been able to test tapeless cameras enough and it was a hell of a financial risk to chuck all our money at something we hadn’t used before. Still, our attention had been caught by the Sony EX range so we decided to grab a demo and were really impressed by the image quality and the ease of recording to the cards. It didn’t take us long to get over our fear of the unknown and buy an EX3 and only a few months later, an EX1-R too, but we’ve noticed that moving to tapeless hasn’t really effected our shooting style but has had a much greater effect on our workflow back at the studio.

Firstly, the SxS card required to used the EX range are pretty pricey – you certainly couldn’t expect to use a £500 32 gig card once and archive it as you would a dv tape so what do you do about backing up?

You buy harddrives. Lots and lots of them.

You also make sure they’re RAID drives to ensure that you’re backed up further. This at first felt quite pricey but when you think of the fact that dv tapes are about 2 quid each and can store an hour of footage and a 100 pound terabyte drive can store over thirty hours, the difference starts to feel a little less significant. Either way, you must have a backup – something that we’ve been very careful about – the last thing anyone needs is to lose a project’s worth of rushes on a duff harddrive…

We do our best to make sure there are two copies of everything from the first available opportunity – usually meaning we’ll have a laptop with us on most shoots to get the cards clear as soon as possible and we tend not to wipe the them very quickly if there’s no imminent need to reuse them (mainly because I’ve been known to throw laptops out of cars before on the way back from shoots)

Beyond backing up, we really find the logging and transfer process an absolute breeze and tend to groan when we take up jobs requiring a digitizing process. All of our original skepticism was washed away after very few uses and there’s no denying the wonderful image quality. As a result, our workflow has become smother and our archiving processes takes up far less space, the cards never fail and they deliver an awesome product so I really can’t see any reason to go back.

Mini DV vs Compactflash card